Pleasure reconciled to

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Classic Poem. Wake Herculesawake; but heave up thy blacke eye, 'Tis onely ask'd from thee to looke, and these will die, Or flie: Already they are fled, Whom scorne had else left dead. Earths wormes, and Honors dwarfes at too great ods Prove, or provoke the issue of the gods.

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There are two surviving texts of Pleasure Reconciled to Virtue : the printed text in F2and a manuscript, probably contemporary with the performance, in the collection of the Duke of Devonshire at Chatsworth JnB The manuscript is a small quarto, measuring There are sixteen leaves, arranged in two gatherings of eight.

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Academic journal article Renaissance Quarterly. After many years of public and scholarly neglect, Bolsover Castle is coming to be recognized as perhaps "the most beautiful house in England, and one of the treasures of western Europe. Planned and executed by the Smythson dynasty of architects for Sir Charles Cavendish and his son, William the earl, marquess, and, later, duke of Newcastleduring the early years of the seventeenth century, the castle was not the family's principal residence - that was a few miles to the north east, at Welbeck - but was a place for pleasurable retirement, a retreat.

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The work's failure on its initial performance, and its subsequent revision, marked a significant development in Jonson's evolving masque technique. Upon the death of his older brother Prince Henry inCharles had become the heir to the throne of his father, James I ; but his youth and relatively poor health he'd suffered from rickets as a child kept Charles from assuming the kind of public prominence that Henry had earlier enjoyed. Orazio Busino, the chaplain to the Venetian ambassador to London and a member of the audience, described Charles as "an agile youth, handsome and very graceful.

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Evans Ben Jonson's Pleasure Reconciled to Virtue is now regarded as one of his most sophisticated and accomplished masques, which is why the reception that greeted its original performance has always seemed somewhat puzzling. Various evidence suggests that its first audience—including King James—found the masque dull and disappointing. Further, although Jonson himself claimed that the work was well received, he quickly dropped the whole first section and improvised a new antimasque for a revised version of the work entitled For the Honour of Wales?

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The work's failure on its initial performance, and its subsequent revision, marked a significant development in Jonson's evolving masque technique. The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio. A masque involved music and dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron.

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The performance famously failed to impress King James. Jonson composed the text and Inigo Jones designed the scenery and costumes. The scenic design is dominated by an anthropomorphic Mount Atlas, made to resemble the head of a grey-haired man.

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The work's failure on its initial performance, and its subsequent revision, marked a significant development in Jonson's evolving masque technique. Upon the death of his older brother Prince Henry inCharles had become the heir to the throne of his father, James I ; but his youth and relatively poor health he'd suffered from rickets as a child kept Charles from assuming the kind of public prominence that Henry had earlier enjoyed. Orazio Busino, the chaplain to the Venetian ambassador to London and a member of the audience, described Charles as "an agile youth, handsome and very graceful.

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